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The ship successfully breaches the barrier, pursued by Klaa's warship, and discovers a lone, uninhabited planet. Sybok, Kirk, Spock, and McCoy take a shuttlecraft to the surface, where Sybok calls out to his perceived vision of the creator.
An entity appears, represented as a large human face, and when told of how Sybok breached the barrier, demands that the starship be brought closer to the planet.
When a skeptical Kirk asks, "What does God need with a starship? The others discover that the "creator" has deceived them and that the barrier is, in fact, intended to keep it from escaping Sha Ka Ree.
Intent on stopping the entity, Kirk orders Enterprise to fire a photon torpedo at their location, to little effect. Spock and McCoy are beamed back to the ship, but Klaa attacks the Enterprise before Kirk can be transported aboard.
The vengeful entity reappears and tries to kill Kirk before the Klingons destroy it in a volley of disruptor fire.
Kirk is beamed aboard the Klingon ship, where Spock is waiting. General Korrd orders Klaa to stand down and to apologise to Kirk for his actions.
Takei said that despite studio pressure to complete the film on time, Shatner maintained a creative and enthusiastic atmosphere on set.
Casting director Bill Shepard was in charge of filling additional roles. He combed through initial auditions with promising actors, then presented his choices to Shatner.
Both men called the actors back as many as two or three times before each role was cast. Bryant was playing ping pong at a beach party when a casting director offered him the role.
Bryant performed his audition twice, as Shatner requested that he repeat his performance speaking in Klingon. Williams-Crosby thought Vixis was Kirk's girlfriend when she arrived for her audition, but recalled afterwards that it was "fun" to play a villain.
The director originally intended George Murdock to play the Klingon diplomat Korrd, but changed his mind on seeing Cooper's performance.
Murdock was recast as the "God" entity. During the —69 Star Trek television series, Shatner and Nimoy's lawyers drafted what Shatner termed a " favored nations clause", with the result that whatever Shatner received—e.
Shatner had previously directed plays and television episodes;  when he signed on for The Voyage Home following a pay dispute, Shatner was promised he could direct the next film.
Shatner conceived his idea for the film's story before he was officially given the director's job. His inspiration was televangelists ; "They [the televangelists] were repulsive, strangely horrifying, and yet I became absolutely fascinated," he recalled.
The televangelists formed the basis for the character Zar, later Sybok. Shatner's first outline  was titled An Act of Love ,  and many of its elements—the Yosemite vacation, the abduction of Klingon, human and Romulan hostages on the failed paradise planet—survived to the final film.
Kirk feigns acceptance of Zar's beliefs to travel with him to the God planet, which to Shatner would be a desolate, fiery waste.
Kirk eludes capture but goes back to save his friends from being carried away to Hell. Producer Harve Bennett was exhausted by his work on the previous three Star Trek films and wanted to move on, feeling that he was not part of the Star Trek "family" and that he had been mistreated by Nimoy.
After several hours of discussion Bennett agreed to return. Bennett also told Shatner that the film had the feeling of a tone poem rather than an adventure story.
Shatner and Bennett began reworking the story. Concerned that knowing the renegade Sybok's motivation from the beginning of the story was anticlimactic, the team moved the revelation to later in the story.
Shatner said that Bennett also suggested turning the God entity into an "evil alien pretending to be God for his own gain".
Not everyone was happy with the story. Star Trek creator Gene Roddenberry objected to the characters' search for God in general, and more particularly, the idea of a God as portrayed by Western religion.
One of Roddenberry's employees suggested some of his employer's animosity towards the story stemmed back to Star Trek: The Motion Picture.
Roddenberry had wanted to approach that film with similar ideas that investigated the nature of God but was rejected by Paramount.
Loughery stopped work on the script when the Writers Guild of America went on strike , and the production was further delayed when Nimoy began working on another project.
When the writers' strike ended Loughery returned to work on the script while Shatner flew to the Himalayas for a job. When he returned, he felt betrayed by Loughery's revisions, which he felt transformed the search for God into the search for the mythical paradise Sha Ka Ree—a word play on "Sean Connery", whom they wanted for Sybok's role.
Though Shatner convinced Bennett and Loughery to revise much of the script, Sha Ka Ree remained; it was changed to a place of ultimate knowledge of which Sybok had received visions.
While Roddenberry, Kelley and Nimoy gave their approval to the revised script, Paramount was concerned that the film would go over-budget as written and ordered cuts.
Shatner's envisioned angels and demons at the film's climax were converted to rock monsters that the false god would animate from the earth. Shatner wanted six of the creatures, but was forced to accept just one.
Nilo Rodis, who had worked on two previous Star Trek features, was appointed the role of art director , and worked with Shatner to establish the film's visual design.
Shatner sought a grittier and more realistic feel to the Star Trek universe, and so the two worked together to visualize the film from start to finish.
Shatner was pleased with the results, especially with Rodis' designs for Shatner's most expansive or dramatic shots. Rodis' input in developing the early character and costume designs was significant.
Shatner praised his costume designs as being futuristic but plausible and in keeping with the continuity established in previous Star Trek films.
Bennett hired Dodie Shepard as the costume supervisor; Shepard's role was to oversee the costume fabrication and keep track of the clothes during filming.
Rodis and Shatner also drew up sketches of what the various aliens seen in the film would look like.
Shatner picked Kenny Myers as the special-effects makeup artist. Myers discussed the sketches with Shatner and made casts of actors' faces using dental alginate.
Shatner hired Herman Zimmerman as production designer. At one point, he was building five sets at once. Zimmerman created a sketch of the town's layout over three days, drawing inspiration from a circular Moroccan fortress.
Tim Downs scouted possible areas for location filming. He looked for a location that could stand in for three different venues without the production having to move or change hotels: the film's opening scene; the God planet's establishing shots; and the Nimbus III Paradise City.
Downs was familiar with the Mojave desert and thought that locations near Ridgecrest, California , would serve the production's needs, so he took photos based on sketches Rodis had provided of what the locations might look like.
Downs also shot photos with filters and tried to accomplish dust effects with his car to replicate ideas for how some sequences would be shot.
Principal photography began in October , in and around Los Angeles, California. After one of the production's camera trucks exploded in the studio parking lot, the non-union drivers headed to Yosemite National Park under cover of darkness with a police escort.
The film's Yosemite scenes were all shot on location. The overhead shot gave the impression Kirk was climbing at a great height, while unnatural background features such as swimming pools were camouflaged.
In the scene, Spock watches Kirk's ascent, levitates up behind him as a pest giving suggestions with the outcome that Kirk slips and Spock has to saves him using levitating boots.
Bluescreen footage of Shatner falling was shot later at Paramount and composited, while stuntman Ken Bates set a record for the highest American descender fall by plummeting off El Capitan —with a wire support rig—for long shots.
The scenes had to be reshot later. After the Yosemite shots, location shooting moved to desert locales.
The town was created as a haphazard collection of spaceship parts and futuristic scrap. Shatner called the resulting half-jogging pace of the dehydrated extras "the Sybok shuffle".
The production spent three more weeks filming the rest of the desert scenes, finishing the last night scene shortly before sunrise and the trip back to Los Angeles.
At Paramount, the crew filmed all the scenes that would take place on soundstages, including the Enterprise and Bird-of-Prey sets, the Paradise City interiors, and the campfire location.
Production was smoother on set, and the crew shot scenes ahead of schedule. The crew fabricated a stand-in set for the God planet location, where additional scenes were filmed to combine with the location footage.
Shatner scheduled the campfire scenes to be the last ones shot, after which the cast and crew had a small celebration before a traditional wrap party later.
Shatner returned to Paramount Studios a few days after principal photography had wrapped to organize the film's post-production schedule.
But at U. Space Force headquarters , I could literally stay for eight years because they have multiple squadrons: Denver and Colorado Springs are there.
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Edit Cast Cast overview, first billed only: William Shatner Kirk Leonard Nimoy Spock DeForest Kelley McCoy James Doohan Scotty Walter Koenig Chekov Nichelle Nichols Uhura George Takei Sulu David Warner John Talbot Laurence Luckinbill Sybok Charles Cooper Korrd Cynthia Gouw Caithlin Dar Todd Bryant Captain Klaa Spice Williams-Crosby Vixis as Spice Williams Rex Holman J'onn George Murdock Edit Storyline When the newly-christened starship Enterprise's shakedown cruise goes poorly, Captain Kirk and crew put her into Spacedock for repairs.
Edit Did You Know? Trivia Whilst this film was in production, a 60 second commercial for UK television was filmed on two of the movie sets and featured William Shatner and James Doohan both in character as Kirk and Scotty.
It is available to view online at YouTube. Goofs As Kirk and McCoy are climbing the turboshaft, the walls of the turboshaft can be seen to flex.
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Retrieved 29 June Retrieved 9 November Top Foreign Albums.